"As a child, the written word
meant less to me than the mysterious visual signs, symbols
and rituals of adult society. They held unbelievable power,
promising the magical key to understanding the strange world
around me."
This
short personal statement from an early exhibition catalogue
says almost as much about Caroline Smith's painting as one
would need to know. Born in 1943 of Anglo-Italian descent,
the daughter of a passionate and prolific Sunday painter,
Caroline Smith was an outstanding student during her years
at Reigate College of Art. Her originality won her the opportunity
to travel, and gave her the devotion to paint and work through
the difficult years that seem inevitable for the really innovative
artist. Now in her late sixties, with paintings in public
buildings and important private collections Caroline's international
reputation is growing.
For the last forty years Caroline has worked towards her own
unique mode of painting. Uninfluenced by current art fads
and "movements" her work is a direct link to the
earliest roots of artistic expression. The symbols and images
that inhabit her vibrant and powerful paintings carry the
same message as the earliest cave painting, Greek vase, or
Egyptian temple wall. Her ability to handle, colour, two dimensional
form and space in her compositions is a measure of her maturity
as a painter. Caroline Smith's earlier work displays an immaculate
and controlled technique that gave emphasis to her impeccable
draughtsmanship. Almost impossible to discover how and with
what they were painted, the technique was totally subservient
to the image. Not a brushstroke to detract from the message.
The anonymous artists, sculptors, painters of the caves of
Lascaux, the Temples of Luxor and Machu Pichu, the thousands
of artisans who were taught and passed on in turn the symbols
and sigils of their ancestors - these are her source. Each
sign had its meaning, each colour its power. This is the language
of artists throughout time and is true inspiration. We know
so little of these ancestors, but we make our links with them
in the precious and potent images that are still with us from
the past.
The last few years Caroline's work has led her into an extensive
study of the graphic images of early languages and particularly
the remains of messages carved in stone. Heiroglyphs, Coptic
and Runic alphabets the symbols and sigils of astrology and
alchemy are the inspirational material that inhabit Caroline's
paintings.